Therefore, that information is unavailable for most Encyclopedia.com content. ." He has been married to … That Bowling Alley on the Tiber: Tales of a Director, Oxford, 1986. Interviews with Film Directors "What Directors Are Saying," in Michelangelo Antonioni) Casetti, Francesco, "Antonioni and Hitchcock: Two Strategies of Narrative Investment," SubStance (Madison, Wisconsin), vol. (London), no. This theme also provided the basis for the two subsequent works: La notte (1961) and Eclipse (1962). Address: Language, In even those films where the protagonist has something to do with producing images, narratives, or other works of art (the filmmaker of La signora senza camelie, the architect of L'avventura, the novelist of La notte, the photographer of Blow-Up, the television reporter of Professione: Reporter, the poet of Il mistero di Oberwald, and the film director of Identificazione di una donna), their professions remain important only on the level of the film's drama, never in terms of its technique. "Michelangelo Antonioni (London), Winter 1973/74. ) (+ co-sc), "Prefizione" episode of "Michelangelo Antonioni: l'homme et l'objet," Sight and Sound Film Comment The album PUZZLE is released and the song Fotoromanza, whose videoclip is directed by Michelangelo Antonioni, is the song of the Summer and wins the “Festivalbar” Award, “Vota la Voce” awards and a “Telegatto” Gold award. (New York), 10 July 1961. I due Foscari This may at least in part Most online reference entries and articles do not have page numbers. Born: Copenhagen, 3 February 1889. Career: Journalist in Copen…, (Otto e Mezzo) L'eclisse "Michelangelo Antonioni," in Film Dope (London), March 1988. Bomarzo Prédal, René, 1957 Padri e figli 1976 Caro Michele 1981 Il Marchese del Grillo Golden Lion 1959 La Grande Guerra Career Golden Lion 1991 Lifetime Achievement: Mario Monicelli (Italian: [ˈmaːrjo moniˈtʃɛlli]; 16 May 1915 – 29 November 2010) was an Italian film director and screenwriter and one of the masters of the Commedia all'Italiana (Comedy Italian style). Troy McClure Movies. Casetti, Francesco, "Antonioni and Hitchcock: Two Strategies of , 1962; FIPRESCI Award from Venice Festival, for "Making a Film Is My Way of Life," in Film Culture (New York), Spring 1962. Il Primo Antonioni (screenplays or working scripts for early Antonioni documentaries and films), edited by Carlo di Carlo, Bologna, 1973. Sight and Sound One might name this strategy the fictionalization of technique. (Nettezza urbana); with women—might be seen to illustrate, on the level of drama, the Gerard, L. N., "Antonioni," in "Brevario del cinema," in Pick a style below, and copy the text for your bibliography. Kauffmann, Stanley, "Arrival of an Artist," in the New Republic (New York), 10 April 1961. Pepper, C. F., "Rebirth in Italy: Three Great Movie Directors," in Newsweek (New York), 10 July 1961. (Los Angeles), Fall 1984. "Quel big-bang con cui esplose lo spazio," in "Michelangelo critico cinematografico (1935–1949)," "Conversazione con Michelangelo Antonioni," in Though his films are far from "experimental" in the sense of the work of Hollis Frampton, Michael Snow, or Andy Warhol, Antonioni's fictional narratives always feel flattened or, to borrow a term from Roland Barthes, they seem curiously mat, as if the spectator's ability to gain immediate access to the fiction were being impeded by something. identification and the "impression of reality"), they call , 1960, and Garis, R., "Watching Antonioni," in Commentary (New York), April 1967. Il mistero di Oberwald 'Michelangelo Antonioni guarda i nostri figli.' Professione: Reporter , Rome, 1985. Cameron, Ian, and Robin Wood, Antonioni, New York, 1969. , being proclaimed one of the ten best films of all time Films and Filming ; Click … Hattendorf, Manfred, "Der Rest ist Nebel," in Film-dienst (Cologne), 30 January 1996. "La malattia dei sentimenti," in Encyclopedia.com. Now that Kino Lorber is distributing the Rarovideo line of discs, we have a new Blu-ray release of one of the label's most important titles, director Michelangelo Antonioni's once-elusive Sophomore feature effort I vinti (The Vanquished) from 1953. Contribute to this page. (New York), 10 April 1961. Pepper, C. F., "Rebirth in Italy: Three Great Movie He was passionate about the cinema and, at the age of 27, moved to Rome, working in a shop and writing reviews. Film Quarterly ) (+ co-sc), La signora senza camelie 13-set-2020 - Esplora la bacheca "Foto famose" di Amelia Jelmoni su Pinterest. Translated from the original Italian by Russell Jones Michelangelo Antonioni was born in in Emilia, on the banks of the River Po, into a middle class family that was well enough off to send him to university. (London), Winter 1963/64. Production: Cineriz (Rome) and Francinex (Paris); black and white, 35mm; running time: 135 minutes. Rifkin, Ned, Antonioni's Visual Language, Ann Arbor, Michigan, 1982. Antonioni suffered a paralyzing stroke in 1985 and was unable to complete any film project until 1995, when he released Beyond the Clouds. "Michelangelo Antonioni: l'homme et l'objet," in EtudesCinématographiques (Paris), no. generazione," in ( (London), Autumn 1964. ). , 1943 (released 1947). seamless narrative continuity—the "impression of Fellini, Federico "Antonioni issue" of Seventh Art (New York), Spring 1963. The Night stomach. Hernacki, T., "Michelangelo Antonioni and the Imagery of (+ co-sc, pr), N.U. ) (+ co-sc); "Tentato suicidio" episode of flat ends up ten years later, as in the case of La signora senza camelie La Nuit: La Notte Cameron, Ian, and Robin Wood, von Trotta Brunette, Peter, "Brevario del cinema," in Cinema (Rome), nos. Camera/Stylo Strick, Philip, "Antonioni Report," in 1, 1979. Blow-Up 22–23, 1961. International Dictionary of Films and Filmmakers. It is as though the image of the artist were trapped in a world where self-reflection is impossible. ; by Ted Perry (Oxford, 1995). (Dayton, Ohio), Fall 1970. Antonioni: le désert figuré International Dictionary of Films and Filmmakers. Interview with Gideon Bachman, in Michelangelo Antonioni: A Guide to In the late 1950’s and early 1960’s Alain Delon (1935) was the breathtakingly good-looking James Dean of the French cinema. This film is an evocative mixture of asceticism and lyricism, which eludes patterns of interpretation and frustrates conventional expectations of plot and theme. "Figli del destino", tells the story of four Italian children, from the South to the North of Italy, facing the shame of racial laws and the wave of hate generated by Mussolini and … Chatman, Seymour, "Antonioni in 1980," in Cinema Eye, Cinema Ear the overall fabric of the film's narration; technique finds itself Etudes One might name this strategy the (Berkeley), Fall 1997. La Nuit: La Notte, with Tonino Guerra and E. Flaiano, Paris, 1961. 22–23, 1961. Black Demons Umberto Lenzi, 1991. Therefore, be sure to refer to those guidelines when editing your bibliography or works cited list. (role as himself), Making a Film for Me Is Living Michelangelo Antonioni's cinema is one of non-identification and Visualizza altre idee su Michelangelo antonioni, Film closer, Glamour hollywood. (New York), September-October 1992. Identificazione di una donna ". 8, 1961. Encyclopedia of World Biography. 29-gen-2019 - Esplora la bacheca "Anne Wiazemsky" di Ezra su Pinterest. "Antonioni and the Two-Headed Monster," interview with J. F. Taylor, John Russell, , Munich, 1984. Antonioni's films, then, are not simply "about" the cinema, but rather, in attempting to make films which always side-step the commonplace or the conventional (modes responsible for spectatorial identification and the "impression of reality"), they call into question what is taken to be a "language" of cinema by constructing a kind of textual idiolect which defies comparison with any other film, even Antonioni's other films. Antonioni," in "Michelangelo Antonioni Ranieri, Nicola, Amor vacui: il cinema di Michelangelo Antonioni, Chieti, 1990. The images of Red Desert explore the theme of human uneasiness in a world full of the splendors and miseries of technology. (Rome), February-March 1961. Interview with M. Manceaux and Richard Roud, in Giaume, Joëëlle Mayet, Perhaps no other body of cinematic work depicts the frustrations, delusions, and possibilities of life and love as profoundly and truthfully as that of Antonioni. , Zurich, 1991. (Rome), July-September 1985. The album goes platinum in Italy and Fotoromanza tops the hit parades in Italy, Switzerland and Austria. 21 Dec. 2020 . She was born in Quinto al Mare, Genoa, Italy, and had the leading role in Michelangelo Antonioni's Le amiche. figure across the entirety of the film which will thus emphatically Italy-France, 1963 is ready to be understood; a film that is initially described as sour and (London), January 1961. Screenplays of Michelangelo Antonioni (Il grido, L'avventura, La notte, and L'eclisse), translated by Roger L. Moore and Louis Brigante, OrionPress, 1963 Sei Film (Le amiche, Il grido, L'avventura, La notte, L'eclisse, and Il deserto rosso), Einaudi, 1964 Antonioni: Four Screenplays (L'avventura, Il grido, L'eclisse, and Lanotte), Grossman, 1971 ("International Critics Poll," Blow-Up Ranvaud, Don, "Chronicle of a Career: Michelangelo Antonioni in Michelangelo Antonioni's cinema is one of non-identification and displacement. , but even more emphatically in Dervin, Daniel, Through a Freudian Lens Deeply: A Psychoanalysisof Cinema, Hillsdale, New Jersey, 1985. https://www.encyclopedia.com/history/encyclopedias-almanacs-transcripts-and-maps/michelangelo-antonioni, "Michelangelo Antonioni Hollywood films set in Paris. film's drama, never in terms of its technique. The Venice Project Robert Dornhelm, 1999. Since his first feature, Cronaca di un amore, Antonioni's introduction of utterly autonomous, graphically stunning shots into the film's narrative flow has gradually expanded to the point where, in Professione: Reporter, but even more emphatically in Il mistero di Oberwald and Identificazione di una donna, the unsettling effect of these discrete moments in the narrative continuity of the earlier work has taken over entirely. , the television reporter of "The Event and the Image," in Tinazzi, Giorgio di, Michelangelo Antonioni, Firenze, 1989. Directors," in (London), Spring 1973. Tinazzi, Giorgio di, , 2 March 1963. opposition—where narrative substance would take a back seat to Sight and Barthes, Roland, and others, Lev, Peter, " Michelangelo Antonionis Bilderwelt: eine (role as himself). One constantly has the impression that the complexity of his films requires years in the cellar of critical speculation before it is ready to be understood; a film that is initially described as sour and flat ends up ten years later, as in the case of L'avventura, being proclaimed one of the ten best films of all time ("International Critics Poll," Sight and Sound). RaroVideo's most important release to date is director Michelangelo Antonioni's once-elusive second feature effort I vinti (The Vanquished) (1953). curiously Carpi, Fabio, Michael Snow, or Andy Warhol, Antonioni's fictional narratives reality" so often evoked in conjunction with the effect of fiction . It is as though the (Nettezza urbana); Roma—Montevideo; Oltre l'oblio, L'amorosa menzogna; Bomarzo; Superstizione; Ragazze in bianco, Sette canne e un vestito; La villa dei mostri; La funivia del Faloria; Uomini in piú, Making a Film for Me Is Living (role as himself). Michelangelo Antonioni Antonioni, Michelangelo, "Il 'big bang' della nascita Antonioni Context," in Married 1) Letizia Balboni, 1942; 2) Enrica Antonioni, 1986. Disintegration," in invisible," in cinema strains the traditional conventions defining fiction films to the Focus on "Blow-Up," (London), Winter 1960/61. Minghelli, G. 2013. Cuccu, Lorenzo, "Antonioni Section" of Born Concetta Biagini, she debuted in 1955 with a small part in the film “The Friends of Michelangelo Antonioni”. Indeed, one common strand linking the thematics of all of Antonioni's films—the impossibility for men to communicate with women—might be seen to illustrate, on the level of drama, the kind of communicational impasse to be found on the level of "technique" in his cinema. Michelangelo Antonioni, 2004. Encyclopedia of World Biography. Lockhart, Kimball "Antonioni, Michelangelo ; Moore, K.Z., "Eclipsing the Commonplace: The Logic of Alienation in Antonioni's Cinema," in Film Quarterly (Berkeley), Summer 1995. "Quel big-bang con cui esplose lo spazio," in Cinema Nuovo (Bari), January/February 1987. Having decided on a film career, he worked with the directors Roberto Rossellini and Marcel Carné, among others. mat Antonioni Cuccu, Lorenzo, Michelangelo Antonioni Directed by Michelangelo Antonioni Reviewed by Glenn Erickson. ; , New York, 1972. his films requires years in the cellar of critical speculation before it Action Mancini, Michele, and Giuseppe Perrella, L'Amore in città , Pisa, 1990. Within the “Cite this article” tool, pick a style to see how all available information looks when formatted according to that style. Ferrara, Italy, 29 September 1912. Education: Studied at University of Bologna, 1931–35, and at Centro Sperimentale di Cinematografica, Rome, 1940–41. Hattendorf, Manfred, "Der Rest ist Nebel," in He has worked with great directors such as Alessandro Blasetti in Fabiola, Roberto Rossellini in Viva l'Italia! The film was awarded a Grand Prix at the 1982 Cannes Film Festival. (London), Winter 1960/61. Michelangelo Antonioni, Rainer Werner Fassbinder, Margarethevon Trotta, Zurich, 1991. L'eclisse, with Tonino Guerra and E. Bartolini, Capelli, 1962. (London), Winter 1979/80. , London, 1990. Nationality: Italian. Uomini in piú, Chambre 666 ." Visualizza altre idee su foto famose, foto, celebrità. Born: Ferrara, Italy, 29 September 1912. impossible. Antonioni," in Cinema 90 (7): 15-16, 25. Lane, J. F., "Antonioni Discovers China," in Sight and Sound (London), Spring 1973. dramatic plausibility ( Renzi, Renzo, "Cronache del l'angoscia in Michelangelo Antonioni," in Cinema Nuovo (Turin), May/June 1959. , Chieti, 1990. Special Issue of Film Quarterly (Berkeley), Fall 1962. "experimental" in the sense of the work of Hollis Frampton, "Entretien avec Michelangelo Antonioni," in The nonverbal logic of what remain narrative films depends, Antonioni Leprohon, Pierre, Renzi, Renzo, "Antonioni nelle vesti del drago bianco," in ( Mancini, Michele, and Giuseppe Perrella, Michelangelo: Architecture in Vision, Rome, 1986. Born into an upper-middle-class family in Ferrara, Michelangelo Antonioni took a degree in political economics at the University of Bologna. Biarese, Cesare, and Aldo Tassone, I film di Michelangelo Antonioni, Rome, 1985. fiction were being impeded by something. Englewood Cliffs, New Jersey, 1971. 4, 1976. 21-gen-2020 - Esplora la bacheca "movies" di latte su Pinterest. As Antonioni has himself stressed repeatedly, the dramatic or the 1, 1979. account for the formidable strangeness and difficulty of Oltre l'oblio, L'amorosa menzogna Taylor, John Russell, Cinema Eye, Cinema Ear, New York, 1964. Film Dope Fa…, DREYER, Carl Theodor Graham, "The Phantom Self," in Monica Vitti Monica Vitti (born Maria Luisa Ceciarelli on 3 November 1931) is an Italian actress best known for her starring roles in films directed by Michelangelo Antonioni during the early 1960s. Seventh Art Considerably more interesting as indicators of the consistent subjects and themes of his film career were Le amiche (1955) and II grido (1957). Literature/ Huss, Roy, editor, Focus on "Blow-Up," Englewood Cliffs, New Jersey, 1971. Antonioni; or, The Surface of the World "The Event and the Image," in Sight and Sound (London), Winter 1963/64. Scemama-Heard, Céline, An iconic piece of challenging 1960s cinema and a gripping narrative on its own terms, L’avventura concerns the enigmatic disappearance of a young woman during a yachting trip off the coast of Sicily, and the search taken up by her disaffected lover (Gabriele Ferzetti) and best friend (Monica Vitti, in her breakout role). , Paris, 1991. "There Must Be a Reason for Every Film," in Blow-Up, with Tonino Guerra, Turin, 1968; New York, 1971. in (Bari), December 1981. 15, no. Perry, Ted, and René Prieto, Literature/Film Quarterly It was here he had his first experience of the theatre. Blow-Up (1966) is a metaphysical mystery drama set in London. in , Cambridge, 1998. (Turin), May/June 1959. L'Avventura Education: Catholic schools in Rimini, until 1938. Visualizza altre idee su Cinema, Michelangelo antonioni, Attrice francese. emphasis on visual structure works in opposition to the spectator's Encyclopedia.com. Sight and Sound Bollero, Marcello, "Il documentario: Michelangelo Antonioni," in Sequenze (Italy), December 1949. Edit page. , New York, 1967. Barthes, Roland, and others, Michelangelo Antonioni, Munich, 1984. That which might at first seem to mark a simple inversion of this opposition—where narrative substance would take a back seat to formal technique—instead works to question, in a broad manner, the ways in which films establish themselves as fictions. "Michelangelo Antonioni," in , 1967; Academy Award for Lifetime Achievement in Film, 1995. , New York, 1964. Family: Married Ebba Larsen, 1911, two sons. That Bowling Alley on the Tiber: Tales of a Director Kock, Bernhard, Michelangelo Antonionis Bilderwelt: einephänomenologische Studie, München, 1994. Nowell-Smith, Geoffrey, "Antonioni," in Sight and Sound (London), December 1995.